Archive for 2012

REVIEW: Haywire (2011)

Sunday, May 6th, 2012

Scoring her first lead role, mixed martial arts champion Gina Carano struts her stuff in this fast-paced action thriller from director Steven Soderbergh (SEX, LIES, AND VIDEOTAPE).

At a small restaurant in upstate New York, Mallory (Carano) sits and waits when a young man, Aaron (Channing Tatum) shows up. He informs Mallory that he has arrived to pick her up and that she is cutting into his vacation time. When Mallory refuses to go, Aaron throws a cup of coffee at her and a fight ensues. Mallory eventually gets the upper hand and then forces a local boy, Scott (Michael Angarano), to help her escape. As Mallory drives with Scott in the passenger seat, she begins her story.

Mallory is a covert operation specialist who handles jobs that U.S. government cannot handle. When she is recruited by Kenneth (Ewan McGregor) to go to Barcelona to rescue Chinese hostage Jiang (Anthony Brandon Wong), she assembles her team, which includes Aaron. The team succeeds in their mission and bring Jiang to Kenneth’s Spanish contact Rodrigo (Antonio Banderas).

However, things come to a head when Mallory is dispatched on a mission in Dublin, posing as the wife of British agent Paul (Michael Fassbender). When Paul meets his contact Studer (Matthieu Kassovitz) and follows him into a barn, Mallory follows. She finds the body of Jiang and learns that she has been set up. A fight with Paul results in his death and when Kenneth calls Paul to confirm Mallory’s death, he learns it is the opposite. Now, with nowhere else to go, Mallory begins her quest for revenge and redemption.

The film can be best described as a B-movie actioner that just happens to have a casts of A-list talent, from Michael Douglas as the government operative who handles all the missions to Channing Tatum as a member of the covert ops team. However, despite the A-list supporting cast, the film clearly belongs to mixed martial arts champion Gina Carano, who met director Steven Soderbergh, who was so impressed with Carano’s ring skills that he hired Lem Dobbs to write the film around Carano.

Carano definitely has what it takes to be an action star. She combines the eye candy look with the martial arts skills to match. Having made a cameo appearance in BLOOD AND BONE (2009), fans will get to see what Carano can really do when she is joined by a cast of A-list talent. She does fairly well in the role of Mallory, who only has one thing on her mind: revenge. Despite having her voice dubbed over, she pulls off quite an interesting performance in terms of the acting side of the table. Should she continue with her film career, one can only think that maybe she will have a chance to polish her skills in the acting side as she already holds her own with the action side.

From the opening alone to the climactic battle pitting Carano and Ewan McGregor, this is truly Carano’s show. One may think of it as a feature-length showreel that highlights Carano’s MMA skills used in a film environment. KFC favorite J.J. Perry (UNDISPUTED 2) choreographed the film’s fight sequences and while actors Michael Fassbender and McGregor do fairly well in their fights, the opening fight between Carano and Channing Tatum (who is actually a martial artist as well in the style of Shaolin Ngor Chor) truly is one of the best fights of the film.

If you are into the simplicity of plot and love some major butt-kicking, HAYWIRE is definitely worth a rental. The film is truly Gina Carano’s as she uses her skills to excellent effect against the backdrop of a revenge plot with the support of some major Hollywood talent.

REVIEW: Dragon Eyes (2012)

Tuesday, April 17th, 2012

Mixed martial arts champion Cung Le gets his first lead role (since the unreleased 2007 film BLIZNIY BOY) in this interesting action thriller that co-stars Jean-Claude Van Damme and Peter Weller.

Released from prison, Hong (Le) goes to the city of St. Jude Springs. He only has one intention in the city: clean the streets. After renting an apartment at a nearby barrio, he finds himself facing members of local gang the 6th Street Kings. Somehow, he also finds himself at odds with members of another local gang, the EastEnders. Hong discovers that the two gangs are in cahoots with each other as they work for corrupt police chief Victor Swan (Weller), who goes by “Mr. V.”

At first, Hong tries to play both gangs against each other after stealing money from them. However, he decides that he decides to play the gangs against Mr. V and his team of corrupt officers by allying with the gangs to clean up St. Jude Springs once and for all.

With it comes to supporting roles in action films as of late, Cung Le has struck on both sides of the equator. In Hollywood, he appeared in FIGHTING (2008) and TEKKEN (2009), while he appeared in Hong Kong films such as BODYGUARDS AND ASSASSINS (2009) and TRUE LEGEND (2010). Having scored the lead role in 2007′s BLIZNIY BOY, the film has yet to see the light of day, hence we have this film.

Le does quite well in the lead role of Hong, whose character resembles that of a wandering samurai in a new town, or even, if you will, Michael Jai White’s character in BLOOD AND BONE (2009). Hong only serves one purpose in the film and that is to clean up the streets of the city he is in, using his martial arts skills to do exactly that.

Fans will wonder what the deal is with Jean-Claude Van Damme being in the film. Well, Van Damme takes the role of mentor Tiano to Hong in this film. Seen only in flashbacks throughout the film, Tiano teaches Hong how to fight and defend himself, but there seems to something of greater importance and it is revealed in these flashbacks, including why Tiano is in prison to begin with. Speaking of Van Damme, look for his son Kristopher in the film as corrupt police officer Feldman (in a role similar to his father’s action film ASSASSINATION GAMES).

While the gang leaders in the film have some significance, they ultimately end up playing second fiddle not only to Hong, but to main villain Mr. V, played with pure campiness by the former ROBOCOP, Peter Weller. He not only controls the gangs, but also the police. In other words, don’t expect any good cops like in these types of films, but in this world, there are none. It is as if Hong is the only saving grace for the entire city.

The fight scenes are not too bad, despite some flaws in the camerawork. KFC favorite Larnell Stovall (UNDISPUTED III, NEVER BACK DOWN 2) served as the stunt coordinator while Le and his team worked on the actual fight scenes. The fights highlight Le’s impressive martial arts skills with his trademark jump spinning back kick used quite a bunch and his grappling techniques. As for Van Damme, he shows more of his trademark martial arts here than he has in his last few films. The finale shows Le in full action, but sadly the final confrontation tends to be a bit of a letdown despite showing a Mexican-style standoff.

Despite its flaws, DRAGON EYES is worth at least a rental. Cung Le does well in a lead role and Van Damme himself is suited to play a mentor role and works well here. The action is not too bad, but don’t expect a spectacular finale.

REVIEW: The Raid: Redemption (2012)

Monday, April 9th, 2012

Add my voice to the chorus of praise for THE RAID: REDEMPTION, the Gareth Evens-Iko Uwais collaboration that opened in Boston last week. I’ve seen it twice already, and my respect for what they’ve accomplished here has grown with each viewing. The story is mythic, the execution both primal and layered. If this is the first martial arts film you ever see, you’ll be blown away. If it’s the 5,000th, you’ll appreciate all the references and tweaks on genre tropes, and you’ll also be blown away.

I have to confess that I’ve always been one of those snobs who says, “The only people who really know how to shoot and edit a fight scene are the old school Hong Kong guys!” So Evans has proved me wrong. I don’t know if he ever practiced any of the arts, but he does what I previously have only seen the best Hong Kong people do, that is, make the camerawork and the action a seamless whole. He brings you inside the fights. Most of the action footage is handheld, tightly framed on the combatants and staying with them. The scenes have the immediacy of a Youtube video, but one composed with a painterly eye. Periodically the camera locks down for one of the jaw-dropping money shots, the bodies lit like a Renaissance masterpiece. Light and darkness battle in the Jakarta slum, and from the shadows, the camera’s eye picks out the gleam of sweat and blood and metal, highlights sparking off chains and gun barrels and blades.

Reviewers who have complained about the violence are missing the point. This is a hero story. What makes a hero, in Gareth Evans’ world? Faith, discipline, devotion to family and friends, and a determination to do his job. These are the qualities we see in the young cop Rama, played by Uwais. His enemies are characterized by faithlessness and paranoia. Martial arts films traditionally emphasize the righteousness of the hero, so then the question is, how badass does someone have to be to get the hero to cut loose? The answer is, very, very badass. Only in the most dire circumstances can the hero show the full extent of his ability. Of course the violence is exaggerated. Think of it as a metaphor, an allegory about slaying inner demons.

Yayan Ruhian (left) and Joe Taslim  in THE RAID: REDEMPTION.

The cast is uniformly excellent. Joe Taslim (Jaka) plays Rama’s team commander, a mentor and role model for the young rookie. Tegar Satrya (Bowo) is the comic sidekick. Pierre Gruno (Wahyu) is a weasel, and Ray Sahetapy (Tama) and Yayan Ruhian (Mad Dog) are the most prominently featured psychopaths. Taslim, Ruhian, Doni Alamsyah (who plays cold-blooded Andi), and Uwais are the standout martial artists, but the whole stunt crew deserves a big round of applause. I’m not familiar with silat – what we see here is fast and brutal.

THE RAID: REDEMPTION has been compared to video games and zombie movies, but only focusing on the action shortchanges the story. It’s about digging deep and getting the job done, even when the shitstorm is flying around you. We’ve all had days like that. Rama is an ordinary hero, just ramped up a few levels. He outsmarts as well as outfights the bad guys. And he ends up making the good guys look really, really good. That’s not a bad message to take home after the mayhem comes to an end.

I’m so pumped about this movie, I asked my friend and kung fu brother Mike Nuell to contribute his thoughts on the film:

“Action stripped down to it’s absolute core.  This is the RESERVOIR DOGS of the genre.  Don’t miss THE RAID: REDEMPTION in theaters— you’re going to want to see it more than once.  Handsdown the best action flick since Die Hard 1.  Gareth Evans is the John Woo of his generation.  See this film.  Spread the word.”

So there you have it. Two longtime fans, two raves. And THE RAID: REDEMPTION, against huge odds (it’s in Indonesian, with no name stars), is finding its audience in the US. The release bumped up to 176 theaters this past weekend, and it’s now #11 on the charts. Watch for a position in the top ten next week. This movie is on fire.

Update 4/11: THE RAID: REDEMPTION is now listed at #14 for last weekend, but it’s about to open in a bunch of new theaters on Friday. I still think it will make the top ten sometime soon. I added a Youtube video below suggested by phrygian – it’s an amazing live demo by a very young Iko Uwais and his team.

THE RAID: REDEMPTION trailer:

Iko Uwais and his team in 2006:

Check out Iko Uwais’ silat form in this video:

Don Wilson and Cynthia Rothrock reunite for ‘White Tiger’ (UPDATED)

Wednesday, March 28th, 2012

Martial arts legends Don “The Dragon” Wilson and Cynthia Rothrock have reunited for the first time in eight years on film. The duo have recently wrapped production on a new martial arts action film entitled WHITE TIGER.

While the news of the film mainly revolved around Wilson and Rothrock, who will be appearing on-screen together for the first time since 2004′s SCI-FIGHTER (aka X-TREME FIGHTER), the lead role is played by Xtreme Martial Arts champion and actor Matt Mullins (BLOOD AND BONE, KAMEN RIDER: DRAGON KNIGHT). This will mark Mullins’ first lead role since his film debut in BLOODFIST 2050. Wilson plays Mullins’ ally while it was announced that Rothrock will in fact play the villain.

The film also stars another martial arts legend, American kickboxing pioneer Joe Lewis and famous Thai actress Yui. Kazu Patrick Tang (RAGING PHOENIX) serves as the film’s fight choreographer and one of the film’s expected highlights will be a fight scene between Wilson and Rothrock.

In the latest issue of British magazine Martial Arts Illustated, Rothrock gave the plot of the film. Mullins and Lewis play two cops on the trail of bad guys. When Lewis’ character is killed, Mullins goes out for revenge and teams up with a mercenary, played by Wilson.

The film is directed by Toby Russell (TRINITY GOES EAST) with George Tan and Karen Kaing producing. The film recently wrapped principal photography in Thailand. Post-production has begun with a late 2012/early 2013 release.

(Image courtesy of Michael Deubner of Kick24.info)

Kung fu, steampunk mash-up in Tai Chi 0 (2013)

Tuesday, March 20th, 2012

Early last year, Huayi Brothers Media Corp. announced plans for a trilogy of films based on the life of Yang style tai chi founder Yang Luchan. Jet Li was attached to the project, and Stephen Fung (HOUSE OF FURY) was on board as director. Although it’s now unclear if Li is still involved (IMDb lists him as a producer), the first film is currently in post-production and has been picked up for US release by Well Go USA. The action choreography is handled by Sammo Hung, which bodes well, and it looks like the film will be hyped as a visual extravaganza a la DETECTIVE DEE AND THE MYSTERY OF THE PHANTOM FLAME (2010), another Huayi project. The most unexpected element, considering that Yang Luchan was a revered 19th century martial artist with a fairly well documented life, is that part one of the trilogy is being promoted as a steampunk fantasy.

TAI CHI 0, also called TAI CHI ZERO, will be followed by TAI CHI HERO and TAI CHI SUMMIT. There’s not much information out there about the cast, but here’s the synopsis, from the Huayi website:

As an uncommonly gifted child, Yang Luchan had a fleshy abnormality that holds tremendous power growing on his forehead. However being teased as the town fool, Yang’s mother spurs him to practice martial arts, and following her wishes, Yang travels the distance to come to Chen Village to learn TAI CHI. At this legendary village, everyone practices TAI CHI and uses TAI CHI in every aspect of their lives. Nevertheless, it is forbidden for a villager to disclose TAICHI to an outsider, and Yang learned this the hard way. Upon arriving at the village, locals discourage Yang by challenging him with fights. From the strong men to hold ladies to children, everyone defeats Yang with their TAICHI moves. After facing the toughest battle and being defeated by Master Chen’s beautiful daughter Yuniang, Yang is determined to master the art of TAICHI and he needs to find Master Chen. Little does Yang know, the poor strange man who he befriended with is in fact Master Chen who then saved him from the duel with Yuniang. Master Chen realizes Yang’s genius and disguises himself to secretly guide Yang to his self realization of TAICHI. One day, a frightening steam-powered machine came to the village, lead by Fang Zijing, a childhood friend of Yuniang. He has bribed government officials to permit him to build a railway that will run straight through the village. Yang decided to join forces with Yuniang to defeat Fang Zijing and destroy the machine. This brave act may just win the hearts of the villagers….

The story of Yang Luchan has been told before, most notably in the 1997 TV series choreographed by Yuen Woo-ping and starring Wu Jing as Yang (it was later edited down to feature length and released as TAI CHI MASTER by Tai Seng). The forehead abnormality thingie is new to me, and it inescapably brings to mind the young hero of THE LAST AIRBENDER (2010). According to an online diary by martial arts actor Keoni Everington, eight foreign fighters were cast as the tank crew. I wasn’t too impressed with the way the fight scenes were shot and edited in DECTECTIVE DEE, but HOUSE OF FURY was good fun, and we can only hope that Stephen Fung will let Sammo’s choreography shine in this project.

Keanu Reeves and Yuen Woo-ping on the set of MAN OF TAI CHI.

TAI CHI 0 is not the only tai chi-themed film in production right now. Keanu Reeves is shooting MAN OF TAI CHI with Tiger Chen and Karen Mok in Beijing right now, with choreography courtesy of Yuen Woo-ping, and rumors continue to circulate that Stephen Chow is prepping a remake of WAY OF THE DRAGON (1972) to be titled TAI CHI.

REVIEW: Sidekicks (1992)

Tuesday, March 20th, 2012

The late Jonathan Brandis and martial arts legend Chuck Norris star in this action film about a kid whose dream comes true before his eyes as well as having the courage to stand up for himself.

Barry Gabrewski (Brandis) is a teenager who suffers from asthma. At school, he has a crush on local girl Lauren (Danica McKellar) and yet he is bullied by Randy Cellini (John Buchanan), the local bully who just happens to be a martial artist. When Barry tries his hand at martial arts, he is turned away by local instructor Kelly Stone (Joe Piscopo) when Stone mocks Barry’s hero, Chuck Norris. Stone just happens to be Randy’s teacher as well.

Barry’s only road to happiness seems to be his daydreaming about joining Chuck Norris in his adventures. When Barry’s teacher Noreen Chan (Julia Nickson) catches wind of Barry’s daydreams, she decides to have him train in martial arts. While Noreen is a tai chi stylist, Barry trains under Noreen’s uncle, restaurateur Lee (Mako).

As Barry begins to train harder in martial arts, his asthma slowly begins to subside. He is able to do exercises in gym and even impress his coach when he finally stands up to Randy. Randy, undeterred and shocked by Barry’s martial arts skills, challenges him to compete in a local tournament. With Noreen and Lee helping, the team will need a fourth competitor to complete their team. Barry’s second dream comes true when Chuck Norris himself decides to join the team.

Directed by Aaron Norris (Chuck’s younger brother and co-fight choreographer), this truly tends to be quite an underrated family martial arts film. The film was made in the wake of other “family martial arts films” like the TEENAGE MUTANT NINJA TURTLES films and the 3 NINJAS films. This film has definitely something for those who dream of hanging with their heroes as well as needing their own strength to stand up for what they believe.

The screenplay itself was written by a martial artist, Lou Illar. Illar is a master in White Crane kung fu and he wrote this film specifically due to his training with children with disabilities. This would explain why the lead character of Barry suffers from asthma. For playing such a role, the late Jonathan Brandis does quite well. Surprisingly, he also did well in training for the film as he did his own fight scene against the school bully. However, one flaw that shouldn’t have been done is his tournament scene where he uses a pair of nunchakus. Brandis starts off well, however, the film soon turns into a dream sequence where he is replaced by a white-uniformed ninja doing the demo. This should have been Brandis’ chance to show what he had truly learned and it is sad that the chance will never get to happen.

The dream sequences with Chuck Norris, who plays himself, are quite fun to watch. Some of the dreams spoof some of Norris’ films, including MISSING IN ACTION (1984) and THE HITMAN (1991). Aside from the dream sequences, Norris gets to fight in the tournament’s sparring contest. This is where the film’s comic portion goes into overdrive. In the finals, Norris takes on Joe Piscopo’s big-mouthed, Sensei Kreese-like karate instructor Kelly Stone. When Stone starts losing, Stone takes off the top of his gi and thinks he’s Bruce Lee. When the two jump towards each other, Norris goes for a jumping side kick (a trademark move he has performed in his films), and it’s Piscopo’s reaction that stands out as the real comedy of the movie. This all comes courtesy of Norris protégé, Rick Prieto, who was the fight choreographer and even appears as a biker alongside Norris’s son Eric.

SIDEKICKS is truly a family martial arts film about heart, determination, and living your dream. If you’re not into the sappy drama of the film, it is okay. Just fast forward to the Norris-Piscopo fight and be prepared for something funny. Worth at least a rental.

REVIEW: Bounty Hunters (2011)

Tuesday, March 20th, 2012

Originally titled BAIL ENFORCERS, this Canadian independent action film is truly B-grade material. However, the action proves to be decent due to its combination of martial arts and professional wrestling maneuvers in part from former WWE diva Trish Stratus.

Stratus plays Jules, who holds two jobs to support her daughter as a single mother. She works as a waitress at a local strip joint but her other job is that of a bail bondsman. Her supervisor Ridley (Frank J. Zupancic) is also her current boyfriend and her other partner Chase (Boomer Phillips) always gets his mouth into trouble. On the night where the three work together to nab a drug dealer is about to change their lives forever.

On a bounty to nab drug dealer Peter (Rodrigo Fernandez-Stoll), the trio work together to nab Peter despite the physical efforts of his girlfriend. En route to the police station, Peter gives the trio a tip in turn for his release. Peter works for a local mob enforcer, Mario Antonio (Enrico DiFede), who is hiding out after becoming turncoat against local crime boss Hal Lambino (Joe Rafla). When Peter tells the trio where Mario is hiding, they decide to go after him for a bounty of $100,000.

When Jules, Ridley, and Chase capture Mario, Lambino finds out and makes an offer to the trio. Lambino offers the bounty hunters $1 million dollars if they bring Mario to him. The trio debates on whether they should do their job and get the bounty or get the big pay day by turning him in to the boss. Lambino, however, doesn’t take any chances. He sends his best hitman Francis (Christian Bako) as well as two Asian enforcers, Ruby (Andrea James Lui) and Deacon (Richard Ha), to track down Mario and if necessary, kill the bounty hunters.

Shot in 2010, the film made its debut at 2011′s ActionFest to moderate reviews. The film’s screenplay is definitely B-grade material, thanks to some cheesy one-liners by Boomer Phillips’ annoyingly cringing character of Chase. Chase is definitely the kind of big-mouth turn punching bag character while Frank Zupancic’s Ridley is truly the authoritative figure of the film and acts as a “glue” of sorts, despite having a relationship with fellow bounty hunter Jules.

However, the real reason to see the film is that it marks the film debut of one Trish Stratus. For those who were into professional wrestling in the early 2000′s, Trish Stratus helped re-define women’s professional wrestling for this generation. While her main background is that of wrestling, she did train in yoga and martial arts as well. Here, she gets to combine all of her skills as she worked hard into her fight scenes. In her opening fight scene, she

Stratus’ best fight scenes come when she has not one, but two fights against Canadian-based martial artist and stuntwoman Andrea James Lui. The action choreographer was credited as “Riff Havoc”, but the true identity is that of Stratus’ real-life trainer, former Canadian wrestler Ron Hutchison. Hutchison definitely made good use of both Stratus and Lui in terms of using their incorporated skills. Hutchison received assistance from members of his wrestling academy, Squared Circle Wrestling, in terms of the fight choreography. Plus, guys who are looking for eye candy must know that in their climactic fight, Stratus wears a schoolgirl outfit (a relic from Jules’ other job) and Lui sports a nurse’s outfit (in an attempt to get Mario out of an ambulance). As for Boomer Phillips, he uses more Western boxing techniques in his fistacuffs with martial artist Richard Ha, who almost literally wipes the floor with Phillips.

In conclusion, if you like wrestling and martial arts, you may enjoy the action of BOUNTY HUNTERS. Other than that, it is only worth seeing once and then most likely, you will have forgotten it.

J.J. Perry and Gina Carano to be honored at ActionFest

Tuesday, March 20th, 2012

From April 12 to April 15, Asheville, North Carolina, will be host to ActionFest 2012. Co-founded by Aaron Norris, the film festival brings new action films to fans. This will be the third time ActionFest will be surprising fans with some new films and honoring some of the top names in the business.

This year, two special awards are being honored. The ActionFest Fight Choreographer Award will be given to J.J. Perry. Perry, a veteran martial artist and stuntman, has been given rave review by fans for his intricate fight choreography. Perry was responsible for bringing the action in UNDISPUTED II: LAST MAN STANDING (2006), X-MEN ORIGINS: WOLVERINE (2008), and most recently, WARRIOR (2011) and HAYWIRE (2012).

Speaking of HAYWIRE, lead actress and mixed martial artist Gina Carano will be given the first ever “Chick Norris” award. The award is presented to the Best Female Action Star. Carano received generally rave review for her lead role debut in HAYWIRE, as a double-crossed spy who seeks revenge.

As for the festival itself, Michael J. Bassett’s adaptation of the Robert E. Howard character SOLOMON KANE will open and Donnie Yen’s film WU XIA will close out the festival.

For more information on ActionFest, go to The Official ActionFest Website.

Kamen Riders Fight Super Sentai in April

Wednesday, March 14th, 2012

On April 21 in Japan, two of the most popular series from that country will finally face off against each other. KAMEN RIDER X SUPER SENTAI: THE SUPER HERO WAR will hit theaters on that day in Japan.

In 2011, Shotaro Ishinomori’s creations of KAMEN RIDER and the SUPER SENTAI SERIES celebrated anniversaries. In 1971, the late Ishinomori unleashed KAMEN RIDER to audiences and in 1975, created the first Super Sentai show, HIMITSU SENTAI GORANGER for audiences.

The plot of what could be this epic war between Japan’s most beloved heroes since ULTRAMAN, involves Kamen Rider Decade (reprised by Masahiro Inoue) leading the evil organizations previously defeated by the Kamen Riders, known as “Great Shocker”, in an attack against the Super Sentai teams. Meanwhile, the last Super Sentai Red Ranger, GokaiRed (reprised by Ryota Ozawa) becomes commander of the “Great Zangyack” Army in an attack against the Kamen Riders.

The current Kamen Rider, Fourze (Sota Fukishi), and the current Super Sentai team, the Go-Busters (Katsuhiro Suzuki, Ryoma Baba, and Arisa Komiya) also do battle in this upcoming film. However, the Rangers and Riders soon begin to wonder why they are fighting when they both have been heroic in protecting the Earth.

Osamu Kaneda directed the film with a script from Shoji Yonemura. According to Crunchy Roll, it is possible with the amount of costumed actors involved in the film, they may go for a Guinness World Record of just that: Most Costumed Actors in One Film?

Meanwhile, Japanese audiences will enjoy KAMEN RIDER X SUPER SENTAI: THE SUPERHERO WAR on April 21.

REVIEW: My Own Swordsman (2011)

Saturday, March 10th, 2012

This screwball wuxia comedy is the big screen treatment of a popular mainland Chinese sitcom of the same name that aired 80 episodes beginning in 2006. The TV series’ main cast reunites as an oddball group of Ming Dynasty-era martial arts heroes, related friends and family living in a small town who come together to defend a small business from a revenge-seeking assassin (Wang Lei) hired by a corrupt official (Yu Yue-li) plotting to ruin the town through real estate speculation.

The story is centered on Tong Xiang-yu (Yan Ni), the former widow of a famous sword hero, who now runs the Tongfu Inn with her wannabe hero husband Bai Zhan-tang (Sha Yi). Working at the inn is retired martial arts heroine Guo Fu-rong (Yao Chen), who when not knocking people around with her qi shouts, is planning to purchase a home for her poor scholarly husband Lu Xiu-cai (Yu En-tai) and expectant baby. Then there is the tomboyish female constable Zhu Wu-shuang (Ni Hong-jie) who pines for a husband and the cross-eyed Yan Xiao-liu (Xiao Jian) who would love to fill that role. After a series of encounters with the official who repeatedly fakes his own death at the inn in hopes of buying up the property at reduced rates, the heroes band together to take on his hired assassin.

The film is a hard sell for anyone not familiar with the TV series as no effort is made to introduce the main characters or explain the assortment of inside jokes and catchphrases that fans of the series would no doubt appreciate. It’s like trying to watch an X-FILES movie without having seen the series. It can still be entertaining but you’re missing most of the context. Comedy may be hard to appreciate as the film focuses on poking fun at issues most relevant to mainland Chinese audiences, in particular the very real problem of inflated real estate prices and careless stock market speculating. Genre and Hong Kong movie fans may appreciate a few gags directed at wuxia conventions though the humor is generally not as unsophisticated or slapstick as its Hong Kong counterparts. One exception is a humorous sequence where Hong Kong veteran Wu Ma makes a guest appearance to poke fun at his inability to speak proper Mandarin, which is a real problem that a lot of Hong Kong actors have had in trying to adjust to a Chinese entertainment industry that favors the Mandarin dialect over Cantonese.

Production-wise, this looks nothing like a typical low-budget TV series. Director Shang Jing has given it the big budget, cinematic treatment, so much so that select scenes could have come right out of CROUCHING TIGER, HIDDEN DRAGON, particularly an eye-popping opening sequence where Ni Hong-jie bounds through the town in an impressive, wire-enhanced wuxia/parkour sequence. The are a handful of short fantasy fight sequences, none of which feature any performances of note but they’re well staged. The end fight highlights the creativity of the action by involving a series of elaborate booby traps inside the inn. Tossed in throughout are stylish animation sequences and media/news parodies that were apparently a staple of the original series. It all comes together to make a generally entertaining production, though still best appreciated by viewers familiar with the series.


REVIEW: Vengeance of a Snow Girl (1971)

Friday, March 9th, 2012

Screen beauty Li Ching is a crippled swordswoman armed with the martial world’s most deadly weapon, the Jade Phoenix Sword, and burning hot enmity for four martial elders responsible for the deaths of her parents. What begins as a violent (and routine) act of head-cleaving vengeance becomes a highly engaging quest for redemption as she joins a compassionate swordsman (Yueh Hua) in seeking out a cure for her disability as her icy heart begins to thaw and her enemies close in.

This was writer-director Lo Wei’s final movie for Shaw Brothers before he jumped ship to join former studio exec Raymond Chow at his fledgling Golden Harvest studios to famously helm Bruce Lee’s first two films. It’s an excellent old school wuxia film with a strong cast of stock actors from both studios that requires a little patience at the start but gradually pays off with tense action and drama amid unusual, colorful sets and picturesque outdoor locales. There are a number of things that make this film stand out from the standard swordplay movie of the era. One of these is Li Ching’s character Shen Bing-hong who is crippled from the waist down. In order to be a threat, she is able to channel her qi energy in order to glide over the ground with the aid of jade crutches, one of which doubles as a sheath for the Jade Phoenix Sword. The revenge theme is hopelessly clichéd but thankfully the script only uses this as a starting point for what becomes an enjoyable fantasy quest very much in the tradition of classic wuxia storytelling.

Gao Tin-ying (Yueh Hua), the son of one of Bing-hong’s targets, falls in love with her and after quelling her anger, offers to aid the swordswoman in seeking out a cure for her paralyzed legs. It’s a dangerous and complicated mission that involves stealing Heat Resistant Armour from the Prince of Ping Nan (James Tien) to brave the fires of the Volcano of Nan Hai in order to procure a rare pearl capable of safeguarding its owner from the severe cold surrounding a unique hot spring that can bring life back to Bing-hong’s legs. As the two heroes, initially accompanied by Tin-ying’s brother (Paul Chung), begin their journey, a less magnanimous swordsman (Ku Feng) trails the two with a band of fighters led by his spiteful daughter (Chiao Chiao) with the intention of killing Bing-hong and claiming the Jade Phoenix Sword for themselves. After a series of adventures, the two heroes face off against their pursuers at the hot spring for a satisfyingly bittersweet conclusion.

It’s a great genre showcase for actress Li Ching while Yueh Hua is relegated to a complimentary yet rather bland co-starring role. The rest of the cast fills out stock roles suitable for the story but not memorable. Of note, screen action legend Sammo Hung makes a rare onscreen appearance in a Shaw Brothers film as a fighter who briefly tussles with Li Ching. Quality fantasy sword action is choreographed by Simon Hsu (INTIMATE CONFESSIONS OF A CHINESE COURTESAN) and interestingly by James Tien, best known for his supporting role as Bruce Lee’s elder martial arts brother in FIST OF FURY. This is the first of only a handful of films the actor had a hand in action directing. There is a lot of well-concealed wirework and unusual weapons combat, both of which compliment the story. Li Ching looks to have spent a lot of time being pulled around on a hidden dolly to simulate her ability to float just above the ground. It has a creepy element to it that Lo Wei could have used to make her intentionally appear more menacing but he keeps her abilities somewhat understated. Some of the live effects work is unconvincing, particularly the corpses and a freezing effect. However, this doesn’t seriously detract from an otherwise entertaining production worth tracking down.

Sleeping Dogs (2012) [VG] – Announcement Trailer

Thursday, March 8th, 2012

Square Enix formally announced the impending release of their open-world cop-drama video game SLEEPING DOGS (formerly Activision’s TRUE CRIME: HONG KONG) with this action-packed live-action short film starring veteran Hollywood stunt actor Brian Ho and featuring the action choreography of Darren Shahlavi (IP MAN 2).

Sleeping Dogs catapults players into the role of undercover cop Wei Shen, tasked with taking down one of the world’s most fearsome criminal organizations from the inside… the Hong Kong Triads. As players explore the bustling and crowded Hong Kong island, through its neon-lit side streets and sprawling street markets, an incredible story unfolds of loyalty and betrayal, where Wei begins to question his own motives as he is sucked in deeper than he could ever imagine.

Sleeping Dogs Official Site
http://www.sleepingdogs.net/

Shotgun Gamer’s interview with Brian Ho
http://shogungamer.com/news/13540/sleeping-dogs-interview-actor-brian-ho

REVIEW: Flying Swords of Dragon Gate (2011)

Wednesday, March 7th, 2012

Six years after directing SEVEN SWORDS, Tsui Hark returns to the wuxia genre in a big way with this epic reimagining of his own 1992 classic DRAGON INN, itself a remake of King Hu’s 1967 masterpiece. It’s a visually lush and action-packed production that will go down in history as China’s first movie to be released in the 3D Imax format.

In his first collaboration with Tsui since 1993, Jet Li stars in a role originally intended for Donnie Yen, who having previously starred in Tsui’s DRAGON INN chose not to revisit old territory. Swordsman Zhao Huai’an (Li) and two associates are all that remains of a band of martial heroes resisting the tyranny of Ming Dynasty eunuchs. The most powerful of these castrated overlords is Yu Hua-tian (Chen Kun) who is ordered to track down and kill a pregnant consort to the Emperor named Su Hui-rong (Mavis Fan). While Zhao attempts to stop the eunuch and his minions, Su comes under the protection of Zhao’s old acquaintance, swordswoman Lung Yan-qiu (Zhou Xun). Together they flee into the Western desert where the two women seek shelter at the remote Dragon Inn, a haven for violent warriors and cannibals. As the women hide in tunnels below, the inn becomes a nexus of brewing conflict between a gang of Tartar thieves, led by a lusty tribal lass (Kwai Lun-mei), and the eunuch’s advance scouting party. Complicating the situation is the arrival of two mystery travelers, one of whom bares a striking resemblance to the eunuch. A game of intrigue begins involving posturing, bluffs and assassination attempts. With the arrival of Zhao, and subsequently the eunuch and his main fighting force, all hell breaks loose as an unlikely alliance is struck and allies are turned against each other while the mother of all sandstorms closes in. As Zhao and his allies battle Yu and his men, at stake is the fate of all and access to a vast treasure of a lost empire uncovered by the passing storm.

Tsui Hark has outdone himself. The filmmaker has always had a knack for producing vivid action films but FLYING SWORDS looks mouthwateringly gorgeous throughout. From sweeping aerial shots of detailed period shipyards bustling with ship builders and ancient, crumbling ruins hidden amid vast, sandy wastes to the picture-perfect staging of exotically adorned, distinctive-looking characters and the framing of highly dynamic, superheroic martial arts action to rival the best of Hollywood’s comic book fare, every frame of this movie begs to be gawked at repeatedly. The exceptions are occasional diversions into excessive CGI-enhanced action such as Li’s ridiculous aerial duel with Chen Kun in the sandstorm’s vortex. It’s about as well staged as Patrick Swayze’s goofy tornado riding scene as Pecos Bill in Disney’s kid’s flick TALL TALE (1995).

Fighting action arranged by Hong Kong veteran Yuen Bun is fantastic by wuxia standards, though it tends to excessively favor computerized flying projectiles to provide added eye candy to viewers of the 3D version. The able integration of elaborate CGI with traditional wirework and Hong Kong-style martial arts resembles the action Yuen Woo-ping provided for Stephen Chow in KUNG FU HUSTLE. Although the Chinese broad sword is featured most often, a variety of traditional and inventive weapons are showcased. Most memorable are seemingly infinite iron darts flung by Li Yu-chun and razor-sharp, gold threading ingeniously strung on the fly to slice up unsuspecting pursuers. This nasty weapon plays a critical role in the film’s final fight.

A common complaint of this film is Li’s limited role and showcase of skill. It’s true. He’s not featured as prominently as fans are accustomed to seeing in his other films while his action scenes have him frequently wired up, doubled or replaced entirely by a digital replica. However, his role remains critical to the story and frankly, his action performance is just fine within the context of a film that intentionally favors fantasy over live-action martial arts fighting. The remaining cast does a terrific job of collectively carrying the film. Genre fans should appreciate seeing Gordon Liu fighting Li in a guest role, as well as supporting roles from IP MAN co-star Fan Siu-wong and mainland actor Sun Jian-kui who notably played a white-haired eunuch in Yuen Woo-ping’s TAI-CHI MASTER. Most notable is actress Zhou Xun, last seen by genre fans in Yuen Woo-ping’s TRUE LEGEND, as heroine Lung Yan-qiu who must endure an unrequited love for Li’s character while selflessly aiding the consort. As the villainous lead eunuch, Chen Kun isn’t quite the tangible menace that either the charismatic Bai Ying was in King Hu’s DRAGON INN or the physically skillful Donnie Yen was in Tsui’s first remake but he musters his own air of wickedness to adequately suit the film. Tsui smartly establishes this character’s peerless fighting skill early on with a potent showcase of qi power to rival Darth Vader’s command of the Force. Regardless of the version in question, this character is easily one of martial arts cinema’s most intriguing and deadly villains on par with the white-browed traitor of Shaolin, Bak Mei (EXECUTIONERS FROM SHAOLIN) and the transgendered Dongfang Bubai (THE EAST IS RED).

For the most part, this is a really enjoyable film that sees Tsui Hark finally return to form after too many years of struggling to rekindle the magic of his initial heyday in the 1980s and early ’90s. FLYING SWORDS OF DRAGON GATE delivers what the underdeveloped, somewhat uncompelling SEVEN SWORDS failed to and returns the genre to its adventurous, action-oriented roots in the wake of so many stuffy, costume drama/wuxia hybrids that have been churned out of China in the past decade. It required that Tsui return to a well-worn story, although certainly with greater success than with his fantasy redo THE LEGEND OF ZU. Viewers familiar with the two previous DRAGON INN films will doubtless have an easier time figuring out the film’s complex story. In purposely changing the plot to distance the film from its progenitors Tsui tosses in a few interesting diversions and surprises that, coupled with some of the best imagery seen in martial cinema in years, makes this a worthy update to the swordplay genre.

Viggo Mortensen Talks About Bob Anderson

Wednesday, March 7th, 2012

The Coolidge Corner Theatre in Brookline, MA, an Art Deco movie palace run by a non-profit foundation, has a longtime reputation for innovative programming. It was one of the first art house venues in the Boston area to screen classic Hong Kong action films back in the nineties. In 2004, the Coolidge Corner Theatre Foundation established an annual award to be given in recognition of contributions to independent cinema. Past recipients have included Zhang Yimou and Meryl Streep. This year, the Coolidge Award was presented on March 5 to Viggo Mortensen.

Mortensen’s collaborations with director David Cronenberg over the past few years have produced a pair of unconventional action films, 2005’s A HISTORY OF VIOLENCE and 2007’s EASTERN PROMISES. The fights in these films are vicious things, not grand or heroic. For heroic action, look to Mortensen’s swordfighting scenes as Aragorn in the LORD OF THE RINGS trilogy. It was that project that introduced Mortensen to Bob Anderson, the legendary British sword master, who called Mortensen “the best swordsman I’ve ever trained.” Anderson just passed away in January at the age of 89. Viggo Mortensen was the star of ALATRISTE (2006), the last film that Anderson choreographed; in fact, Mortensen coaxed the retired master into signing on for one last film.

“He’s one of my heroes…he was a great man,” recalled Mortensen at a press conference at the Coolidge Corner Theatre before the award ceremony. During pre-production on ALATRISTE, he suggested to director Agustín Díaz Yanes that they bring Anderson in to craft the sword fights. At first Anderson wasn’t interested, but Mortensen persisted. “I told him the story, and he said, ‘Now, this is rapier and dagger, 17th century? Do you think they’d let me do it realistically?’ I said, ‘That’s what the director wants.’” So Anderson traveled to Spain, and without speaking a word of Spanish, endeared himself to the entire cast and crew.

ALATRISTE is based on a series of swashbuckling adventures by the Spanish author Arturo Perez-Reverte. Set in the period between 1620 and 1643, the novels follow the exploits of “Captain” Diego Alatriste (his title is more honorary than legitimate) and his young ward Inigo. Alatriste is a soldier and occasional sword-for-hire, pessimistic and cynical, possessing nothing of value but his sword and his honor. I gotta say, Mortensen really nailed the character – it’s worth the price of admission just to see him rock the mustache. The movie feels a little scattered as it tries to pack themes from all the novels into a single feature length film. The first sequence is one of the best things in the film, a sneak attack by Alatriste and his troops on an enemy camp that sets up the back story of the main characters. It captures the hours of misery punctuated by moments of terror that make up a soldier’s lot. The sword action is, as promised, gritty and realistic. The elegant rapier’s wraparound guard turns into a mailed fist exploding in an opponent’s face, and dagger strikes are capped off with a twisting of the blade in the doomed man’s guts, inflicting maximum damage like some 17th century equivalent of a dumdum bullet.

Mortensen shared one priceless story about Bob Anderson on the set of ALATRISTE. “There was an incident in practice, where there were a few guys who were attacking my character, backing me into a corner…and these were competitive fencers. So one of these guys was very good. And Bob stopped the rehearsal, he said, ‘Hang on a second.’ And from a seated position (due to health problems) he had noticed some detail. And he said to the guy, the best one, the most skillful, through the translator, would he be willing to change his grip, or was he happy with his grip? And the guy said, “Yeah, I’m happy with it. Why?’ And Bob said, ‘Well, would you consider adjusting it just a few millimeters?’ And the fencer said, ‘With all due respect, it’s served me quite well, this particular way of holding my weapon, for many years, and I’ve been quite successful.’ So Bob said, ‘Very well, ask him to come over.’ And Bob’s sitting in the chair, and he says, ‘Give me a sword.’ And he sits there and goes, ‘Get into an en garde position.’ And the guy sorta smiles and says, ‘OK.’ And Bob goes, ‘Are you ready?’ And the guy says, ‘Yes sir.’ And Bob says, ‘Are you really ready?’ and he goes, ‘Yeah!’ And then Bob – you almost didn’t see his hand move, just a little flick and the guy’s sword went flying across the room…And then the guy, of course, he was a little bit flustered, and embarrassed, and Bob says, ‘Go, go, go, you probably weren’t ready. Go get it and get ready again.’ And he had the guy stand there, and he said, ‘Are you ready?’ and now the guy’s pride had been touched, everyone was watching him, and he got really, really ready. And Bob did the same thing. I don’t know how he did it, but the guy’s sword flew out of his hand. And Bob said to the translator, ‘Ask him if he would consider changing his grip.’ And the guy said, ‘Yes sir!’”

Later that evening, during the award ceremony at the Coolidge Corner Theatre, Viggo Mortensen led the audience in a tribute to Bob Anderson.

The Girl with the Naked Eye (2012) – Trailer

Tuesday, March 6th, 2012

Wushu and san-shou artist Jason Yee (DARK ASSASSIN) stars as a professional driver for an escort service operating out of “The Naked Eye” strip club. After the escort he has fallen in love with is found murdered he goes on a violent revenge spree. Ron Yuan (BLACK DYNAMITE) choreographs the action and co-stars along with genre veteran James Lew. Popular former porn star-turned-actress Sasha Grey (THE GIRLFRIEND EXPERIENCE) also appears. David Ren directs.

THE GIRL FROM THE NAKED EYE is having a limited release in the U.S. beginning April 1, 2012 and is expected to appear on home video at a later date.

REVIEW: Lady of Steel (1970)

Monday, March 5th, 2012

Wuxia queen Cheng Pei-pei stars in this action-packed swordplay adventure from Shaw Brothers and director Ho Meng-hua concerning a young swordswoman named Fang Ying-qi (Cheng) who sets out to join a gathering of the martial world’s leading warriors under the banner of Lord Xia (Fang Mien) and the Flying Dragon Clan. Their mission is to organize the defense of their country against invading Jin forces. Fang also intends to avenge the murder of her parents 20 years past by bandit leader Han Shi-xiong (Huang Chung-hsin). Han has since taken on a new, false identity as a reputable member of the Flying Dragon Clan while secretly working with the Jin to bring down the resistance. Han uses cunning and a network of criminal fighters in an attempt to assassinate Fang, and when that fails, to frame her as a traitor. Once his true identity and intentions are revealed, a determined Fang must rely on her deadly sword skills and assistance from a clever beggar clan leader (Yueh Hua) to stop Han and restore her reputation. What LADY OF STEEL lacks in originality in its use of familiar Shaw sets and well-worn genre plot devices it makes up for with a well-structured and intriguing narrative, highly dynamic swordplay action and a wonderful performance from the beautiful and multitalented Cheng Pei-pei. Her sword fighting lights up the screen, as do scenes where she dresses up in various disguises and in one memorable scene, takes on the role of a siren to lure a villain to his death by singing and playing the lute. Quality fighting action from Liang Shao-sung features many familiar gimmicks and some unusual ones where characters leap extreme distances in wide shots in what appears to be use of miniatures. There are also blood sprays which were common in Japanese samurai films but rare in Chinese cinema. The explosive finale in creatively staged during a nighttime celebration with fireworks, followed by a very entertaining sword duel pitting the two main heroes against Huang. The highlight is Cheng’s near fall from a rooftop that leaves her precariously suspended by one foot and an exchange of sword strokes between Cheng and Huang who are suspended from a chain-link pulley. It’s all clever staging for 1970, nicely shot and edited with a surprising bit of suspense that still holds up well years later.

Vincent Zhao exits Donnie Yen’s ‘Special Identity’

Monday, March 5th, 2012

Martial arts actor Vincent Zhao, star of TRUE LEGEND, announced on Sunday that he will no longer be involved in Donnie Yen’s modern-day actioner SPECIAL IDENTITY. He cited a breach of his contract by way of unilateral script changes as reason for the departure.

Speaking to reporters in Beijing, he went on to state that his exit from the production “is not due to any wrongdoing on my part” and that he had not fallen out with Yen as some media reports claimed.

According to the production team they had no choice but to cut Zhao from the film, because he had made excessive demands and exhibited a poor attitude while shooting the film.

When asked to comment, Yen suggested that Zhao could have handled himself better.

“I went with his agent to persuade him when I heard about the matter, but unfortunately, it failed. I feel that there were some areas which Zhao did not handle well.

“Making a film is a team effort. Even though I admire him a lot, I cannot go against this principle. In the end, I have to respect the decision of the production team and the investors,” said Yen.

“Script changes occur very often. If the changes are reasonable, it can improve the whole film. It isn’t something that can’t be talked over.”

Hong Kong martial arts actor Andy On will replace Zhao as production on SPECIAL IDENTITY resumes.

Source: Channel News Asia

Petaling Street Warriors (2011) – Trailer

Sunday, March 4th, 2012

Malay martial arts comedy starring Mark Lee as a 1900s-era street vendor in Kuala Lumpur who discovers he is the descendant of a Ming Dynasty Chinese emperor. When a Chinese eunuch, Japanese ninjas and a British colonial officer all come looking for a map leading to hidden imperial treasure, he and his kung fu-fighting wife (Yao Yann-yann) fight back. Action is choreographed by Hong Kong’s Ma Yuk-sing.

REVIEW: Petaling Street Warriors (2011)

Sunday, March 4th, 2012

Mining the screwball antics of Stephen Chow’s KUNG FU HUSTLE, this lesser Malaysian martial arts comedy from director James Lee stars leading Singapore comedian Mark Lee and features the wire-enhanced fight choreography of Hong Kong action director Ma Yuk-sing. Based on a legend concerning the exile of a Ming Dynasty emperor to Southeast Asia, the film is set at the turn of the 20th century and follows a humble street hawker named Shi Du-yao (Lee) who, unbeknownst to him, is the descendent of Chinese Emperor Jianwen. For two years he has been secretly protected by three bodyguards, one of whom is his wife (Yao Yann-yann). Their fighting abilities are put to the test when competing forces, including members of Japan’s “Ninja Military Force,” a powerful Chinese Eunuch (Frederick Lee) and an effeminate British officer, come looking for a treasure map leading to Du-yao’s family fortune. With an iron chastity belt and herbal baths, Du-yao’s wife had been secretly building up Du-yao’s qi energy over the past two years. When Du-yao’s main meridian points are inadvertently unlocked, a cross-dressing martial arts master bestows the hawker with his remaining power thus giving Du-yao the ability to save the day after his wife is taken hostage. As example of the absurd nature of the film and its fighting action, Du-yao’s special ability consists of transforming himself into caricatures of Yip Man, Wong Fei-hung, Bruce Lee, and Michael Jackson. Production-wise, the film is a step up for the small Malaysian film industry. Visuals and sound are polished with Hong Kong-grade action produced by a joint Hong Kong-Malay team. While the script tries too hard to channel Chow’s distinctive brand of mou lei tau comedy, Mark Lee is still an engaging lead. There are localized gags, references and guest appearances that audiences unfamiliar with Singapore and Malay culture may not appreciate. Even in context, the humor still seems forced and unfunny. Limited martial arts action is slick looking but highly exaggerated and too often tightly shot and edited. Fans of female fighting may still appreciate a slick girl-on-girl battle between screen beauties Yao Yann-yann and Chris Tong, playing a kunoichi. Among the cast, only Sunny Pang is a trained martial artist and his skills are not showcased here. Director James Lee subsequently corrected this situation by putting Pang in the lead of his follow-up actioner THE COLLECTOR.


Nunchucks (2012) – Trailer

Saturday, March 3rd, 2012

Inspired by Bruce Lee, NUNCHUCKS is directed and starring Dragon Chen as a martial arts expert who suffers a breakdown and rediscovers peace when he returns home. The martial arts actioner opened March 2nd, 2012 in China.