Sammo Hung makes his film directing debut in this violent and impressive kung fu action/drama that also sees Sammo in one of his first starring roles as a Shaolin-trained fighter joining forces with Shaolin monk San Te (Chen Sing) to avenge the rape and murder of friends and family by evil Manchu overlords. After his uncle is killed by Manchu bullies, a humble street vendor named Husker (Hung) is aided by San Te who encourages him to enter Shaolin Temple to learn how to defend himself. Eager to get back at the Manchus, he sneaks out and finds work at a cloth dye factory that becomes the target of more Manchu bullies led by an official (played by Fung Hark-on) who also happens to be a serial rapist. Eager to control the wealth of the Han people they govern, the Manchu concoct a plan to legally take over the dye factory with a fixed contractual agreement. When it fails, they attack the factory outright in a literal hostile takeover. In response, Husker and San Te take on the Manchus responsible in a vicious fight to the death. While not discussed onscreen, the film provides an excellent showcase of specific animal forms from both classical northern and southern kung fu schools. This includes the Tiger, Crane and Snake techniques of the south as performed by Hung and Chen and northern Mantis and Eagle Claw as performed by Fung and Chiao Hsiung respectively. This shapes action is expertly combined with an array of what were at the time advanced screen fighting techniques to creatively enhance the action. In the film’s finale, Sammo makes extensive use of acrobatic doubles, undercranking to speed up the fighting, wires, breakaway props, and a pro blend of camera angles and shots that show a level of sophistication rarely seen in Hong Kong at the time. Sammo has a solid cast of screen fighters with the powerful Chen Sing standing out in his fierce fighting performance as San Te, the same character more famously portrayed by Gordon Liu in THE 36TH CHAMBER OF SHAOLIN. While there is a small measure of kung fu comedy, of which Sammo would become famous for in subsequent films, the general tone of this feature is dark and about as bleak as any kung fu movie has ever been. This is largely due to the unnecessarily brutal and distasteful depiction of rape in two specific instances that may be a turn off for viewers accustomed to Sammo’s more popular films. There is also brief nudity and considerable, bloody violence on par with Chang Cheh’s films.
Chen Sing • Chiao Hsiung • Fung Hak-on • Genre: Kung Fu • Sammo Hung • The Iron-Fisted Monk (1977)


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