Scribe Chris Morgan talks Keanu Reeves’ ‘47 Ronin’

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News | Film News | by Mark Pollard

Kenji Mizoguchi's THE 47 RONIN (1941)

MTV recently caught up with FAST AND FURIOUS screenwriter Chris Morgan to discuss his latest project, a stylized adaptation of Japan’s famous 18th-century account of the “47 Ronin.” Morgan suggests the film will be a big action movie like 300 or GLADIATOR with samurai and ninja.

It was originally announced in December of last year that Morgan had penned a script to 47 RONIN for Universal Pictures with a story tailored to attached star Keanu Reeves and his half-Asian heritage.

The more recent article states there has been some criticism of Morgan’s ability to handle the very well-known material and that the screenwriter has responded by pointing out his long history as a “huge fan of samurai culture,” backed up by “extensive” knowledge of the story.

The story of the “47 Ronin” is one of the most beloved tales in Japanese history and has been adapted to film in Japan no less than eight different times going back at least as far as 1913 when Shozo Makino’s THE ROYAL FORTY-SEVEN RONIN was released.

The story is based on an incident where a group of samurai were left masterless when their lord was ordered to commit ritual suicide for assaulting a court official. For a year, the former samurai, now ronin, plotted to take revenge by killing the official responsible out of loyalty to and respect for their dead lord. They succeeded and in the process fulfilled their duty as followers of the bushido code but because they had attacked a government official the Shogun had to punish them so they were ordered to commit seppuku and thus ended their lives as their lord had.

Morgan’s knowledge of this incident may not matter if the producers intend to shoot a 300-style version of the “47 Ronin.” I have personally seen two different films about this story, Kon Ichikawa’s 47 RONIN (1994) and Hiroshi Inagaki’s CHUSHINGURA (1962). Both versions treated the subject with stately reverence. Ichikawa’s 1994 film, along with other more recent versions tend to dig deeper into the minds of the players involved, instead of focusing on action, of which there is little in the original story.

The main action involves the actual attack on the official by the 47 ronin but I doubt Universal intends to fill an entire movie with it. Then again, if they were to do something along the lines of BLACKHAWK DOWN where most of the narrative zooms in on a near real-time account of the attack I could see how the story could turn into an action film without straying too far from facts.

Aw, but who am I kidding? This story has been adapted for Hollywood by the writer of CELLULAR and THE FAST AND THE FURIOUS: TOKYO DRIFT as an intentionally over-the-top period actioner with Keanu “I know kung fu” Reeves starring as a feudal-era Eurasian ronin. Bring on the ninjas, limb-cleaving samurai action and macho heroics. Look out world. Hollywood is going to show us how America does chambara.

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  • Was the 1994 version called "Swords of Vengence" I have that, and I loved it. What is so funny, is that my first mmorpg guild was named 47 ronins, because I believed in the values of 47 samurai living and dying for honor.

    This is what intrigues me about this movie, I hope they focus on that part too!
  • Keanu has succeeded despite all criticism and his films have grossed 10 figures worldwide. He has a very interesting body of work and a dedicated following. I'm sure this film will be great, and a definite must see! I can't wait to see it!
  • WuxiaFan
    Like, what are they going to call it? How about "THE 47 DUDES".
  • pasha
    keanu can do dark very well and he's known as one of the most seriously focused, dedicated actors in h'wood. the fact that anyone would compare him to ted logan at this point in his career is sad and ignorant. you can't really argue logically that the man "is" ted logan and neo at the same time, therefore he's a good actor. if you want to see dark and scary, watch "the gift". he plays a racist wife beater. and *cough* most excellently.
  • Daniel Zelter: Yes, but he was still terrible in it.

    This whole movie just seems silly to me. The "Sin City/300" stylistics have already worn out their welcome as far as I'm concerned, and unless they're going to try something new, I don't want to see any more of these green screen bound action flicks. Besides, doing the Cushingura with Keanu Reeves and ninjas is really just a stupid idea. With a score of these already made, I don't see the point of making another, especially when it seems like it's going to be the scatter-brained, badly Americanized version that nobody was wanting to see.

    Bleh.
  • Daniel Zelter
    BTW, Animeigo just released the Ichikawa 47 Ronin movie on dvd. http://www.animeigo.com/samurai/47ronin.t They also have one from Kunio Watanabe. http://www.animeigo.com/Samurai/Loyal47Ronin.t Anyway, judging by the interview, it sounds like Morgan knows more about what he's talking about than James Wong did on DB: E.

    Anonymous: He was in that dirty cop movie last year, so he can do "dark", if he wants to, I guess....
  • Anonymous
    '47 Ronin' is gruesome & violent - Keanu Reeves shouldn't star in it - bad karma :(
  • Sho Nuff
    After killing the official, Keanu Reeves' character will shout "Excellent!", while strumming an air guitar.
  • The thought that Hollywood is even thinking about the 47 Ronin sickens me. This is serious and sober stuff. I was enthralled with the two-part CHUSHINGURA, a story that is 95% loyalty and conviction and 5% action. It has such a serious legacy in Japan that even today, you can actually visit the graves of the 47 Ronin (and their lord, Asano Takumi-no-Kami Naganori) at Sengakuji temple. I've been thinking for a while that if I ever get a chance to go back to Japan, this is one of the places I would make a point to visit (along with Osaka).

    I'm trying to think of an analogy to make but it's tough to do so because we Americans are only an eye blink in human history and have a comparatively short history. How about if the French made a film about a young George Washington and Thomas Jefferson and turned into a buddy flick replete with pub crawls, duels, woman chasing and carriage chases? I don't know.

    I do know that if you diagnose American box-office receipts, except for the occasional romantic comedy ("chick flicks"), most films with character development and/or speaking parts just don't cut it. This leads me to be certain that this film, if it is made, will be corrupted by over-the-top action and special effects. After all, this is what Americans demand for their not-so-almighty-lately dollars. "300" style? It makes me want to wretch.
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